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By David Meyer of Business week

Illegal file-sharing in the UK has fallen dramatically, according to media and technology researchers at Music Ally.

The analyst firm published a study on Monday that showed the numbers of those who regularly file-shared had dropped by a quarter between December 2007 and January 2009. The trend was particularly pronounced among 14-18-year-olds—at the earlier date, 42 per cent were file-sharing at least once per month but at the latter date only 26 per cent were doing so.

At the same time, streaming music services appear to be taking off.

The researchers wrote: “The move to streaming—e.g. YouTube (GOOG), MySpace (NWS) and Spotify—is clear, with the research showing that many teens (65 per cent) are streaming music regularly (i.e. each month).

“Nearly twice as many 14-18-year-olds (31 per cent) listen to streamed music on their computer every day compared to music fans overall (18 per cent). More fans are regularly sharing burned CDs and Bluetoothing tracks to each other than file-sharing tracks.”

Spotify is ad-funded, and is rapidly expanding its catalogue. The service is even name-checked in the Digital Britain report, along with Last FM (CBS), as showing “that where the system is failing to serve the needs of users, innovative business models will develop to fill the gap”. Music Ally’s figures appear to suggest that these new models are at least partially responsible for fighting piracy.

However, a move to streaming could have implications for the functioning of the internet. Larry Roberts, one of the inventors of packet-switching and the ARPANet, wrote in this month’s IEEE Spectrum that the internet is broken (“I should know: I designed it”) because traditional packet-based routing is not built for streaming services.

“Unlike email and static web pages, which can handle network hiccups, voice and video deteriorate under transmission delays as short as a few milliseconds,” Roberts wrote. “And therein lies the problem with traditional IP packet routers: They can’t guarantee that a YouTube clip will stream smoothly to a user’s computer. They treat the video packets as loose data entities when they ought to treat them as flows.”

Roberts argued that, while past overprovision by operators meant today’s users were not yet seeing serious problems with streaming services, “things are already dire for many internet service providers and network operators”.

“Keeping up with bandwidth demand has required huge outlays of cash to build an infrastructure that remains underutilised,” he wrote. “To put it another way, we’ve thrown bandwidth at a problem that really requires a computing solution.”

The answer, according to Roberts, is something called flow management, which he is developing at his start-up, Anagran. The company has a “flow manager”, the FR-1000, which Roberts says can “the FR-1000, can replace routers and DPI systems or may simply be added to existing networks”.

Roberts ends his article by recanting his claim (“Okay, maybe that was an exaggeration”) that the internet is broken. “But the 40-year-old router sure needs an overhaul,” he concludes.

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I am still waiting for when vevo will launch, it was expected to have been launched two months ago.

Information via techconnect Magazine
Announced in April as the next great thing in music and video entertainment, Universal Music Group and YouTube’s VEVO service is getting more support as Sony Music Entertainment has just revealed that it wants in on the upcoming action. With VEVO, which will be available via a new YouTube channel and on VEVO.com, Universal and Sony will deliver music fans a large catalogue of music videos from signed artists for viewing and more viewing.
“We are delighted that SME has joined us in this exciting new service that will further transform premium music content into a legitimate commercial enterprise that benefits fans, artists and advertisers,” stated Mr. Morris. “VEVO will harness the power of the enormous traffic generated by YouTube and direct it to a dynamic destination created specifically for consumers and advertisers alike.”

A launch date for VEVO still hasn’t been provided.

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